La experiencia en la performance femenina españolael presente como paradigma de nuevas definiciones del sujeto en torno a las primeras décadas del siglo XXI

Abstract

The present article delves into the investigation concerning the existential crisis of the contemporary individual. The study of this subject is addressed from the anthropological focus of the artistic discipline that is the performance. An effort was made to apply a cultural, artistic and philosophical perspective that in certain instances added to the anthropological point of view, by offering a more three dimensional investigation. In this manner, it was firstly created a connection between the past and the present of certain characteristics of social nature that help in the understanding of the moment that surrounds and conforms the present of the topics investigated. An effort was made to apply a cultural, artistic and philosophical perspective that in certain instances added to the anthropological point of view, by offering a more three dimensional investigation. In this manner, it was firstly created a connection between the past and the present of certain characteristics of social nature that help in the understanding of the moment that surrounds and conforms the present of the topics investigated. It is essential to highlight that the present investigation, studying the necessities that are carried within the relations established by the subject towards themselves, is centered on the study of woman performers. From this, results two intertwined strands along the course of this text: that of the woman as an individual, and that of the woman as a woman, with the specific problematic aspects pertaining to that condition...