La proyección de los talleres artísticos del Barroco granadino. Novedades sobre la saga de los Mora

Abstract

Recent analyses of the artist's social situation during the Baroque period in Spain have enabled us to define more precisely the characteristics of the great individual masters and the extent of their influence, and also to establish the sphere of influence of the workshop, which was an aesthetically and professionally cohesive entity. Examples of both these aspects can be found within the Mora family. In this paper we establish the repercussions of works coming from this workshop beyond the immediate area of Granada, demonstrate the important role played by the School of Granada in Eastern Andalusia, and bring to light the activities of previously unknown members of the family, by means of a study of unpublished documents.