Estrellas de marMaria Irene Fornes y la reescritura femenina del melodrama

  1. Aguilera Linde, Mauricio D.
Revista:
Asparkia: Investigació feminista

ISSN: 1132-8231

Ano de publicación: 2012

Título do exemplar: Mujeres a escena. Dramaturgas estadounidenses contemporáneas

Número: 23

Páxinas: 91-108

Tipo: Artigo

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Outras publicacións en: Asparkia: Investigació feminista

Resumo

Desde sus comienzos Fornes ha mostrado un interés por reescribir y parodiar las convenciones del melodrama romántico, en concreto la interrelación de fuerzas implícitas en el triángulo amoroso donde la heroína es siempre objeto del deseo masculino y adhesivo moral de la familia. The Successful Life of 3, Molly’s Dream, Sarita, The Conduct of Life y Mud subvierten, en mayor o menor medida y desde diferentes contrafórmulas teatrales, la dinámica de los géneros. En Mud Fornes consigue crear un «contradiscurso» (Foucault, 1978) en el que se cuestiona el rol femenino mediante la reapropiación de la imagen surrealista de la estrella de mar del cortometraje L’étoile de mer (1928) de Man Ray. El objetivo implícito en la epistemología fornesiana es romper la visión masculina de la mujer como objeto de deseo fetichista y diosa castradora (vagina dentata). Mae, la protagonista, no solo contradice las señas de identidad y el código de actuación que los dos hombres esperan de ella: madre, hermana y mujer a un tiempo. Su deseo final de abandonar el hogar plantea la posibilidad de un mundo sin hombres, donde la búsqueda del conocimiento se convierte en la nueva meta.

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Fonte de datos: Dialnet