Estudio sociológico sobre la sociedad granadina (España) tras la aparición del cine

  1. Arias Romero, Salvador Mateo
Journal:
Nuevo Itinerario

ISSN: 1850-3578

Year of publication: 2013

Issue: 8

Pages: 108-124

Type: Article

DOI: 10.30972/NVT.081732 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Nuevo Itinerario

Abstract

Both, the film and the media in general have see them as socializadores agents, influencing behaviors and social attitudes of the human being. Society of Granada at the beginning of the 20th century faced with the danger that could lock up the new show of masses, since they were aware of the transmission of new values that can transform society. One of the aspects valued in this study has been the realization of a social and historical essay with which we intend to highlight the impact that had on society the cinema, to the point of appearing regularly in press and other types of periodicals , including a section of the journal for advertising the billboards. In addition to the artistic status of cinema, can not review its primitive function: the report. During the 19th and beginning of the 20th, there was a breakthrough in the media, fundamental process for the cultural , political, social and commercial development of the society. Granada, no less conservative than other cities in the rest of Spain, would rise up your voice on numerous occasions against the dangers of the cinema and the harmful consequences that this supposed for the education of children. However, facing this conservative Granada, and thanks to the University, there was a select group of intellectuals who approved of it. We must not forget that they were the splendor years of the Liceo and by this time Falla was situated in the city: "Are the years in which Federico García Lorca published his first composition in the artistic Centre newsletter (January, 1917) and was born the social gathering of 'El Rinconcillo' in a coffe on the plaza del Campillo".