Martin JayAn Intellectual Picture
- González Blanco, Azucena
- Alirangues López, Miguel
ISSN: 2605-2822
Año de publicación: 2019
Volumen: 2
Número: 1
Páginas: 238-254
Tipo: Artículo
Otras publicaciones en: Theory Now. Journal of Literature, Critique, and Thought
Resumen
La siguiente entrevista se realizó el 6 de junio de 2018 en el marco del ciclo de entrevistas “El intelectual y su memoria” de la Facultad de Filosofía y Letras de la Universidad de Granada. A lo largo de la entrevista, Jay reflexionó acerca de su carrera intelectual, el estado actual de la teoría crítica y de las categorías dialécticas, el estatus de la verdad hoy en día, el postsecularismo y las políticas identitarias.
Referencias bibliográficas
- Adorno, Theodor W. Negative Dialektik. Frankfurt, Suhrkamp, 1966.
- _____. Ästhetische Theorie. Frankfurt, Suhrkamp, 1970.
- _____. Minima Moralia. Translated by Dennis Redmond. London, Verso, 2005.
- Geroulanos, Stefanos. Transparency in Postwar France. A Critical History of the Present. Stanford, Stanford University Press.
- Habermas, Jürgen. Philosophical-Political Profiles. Translated by Frederick G. Lawrence. London, Heinemann, 1983.
- _____. Die Neue Unübersichtlichkeit. Frankfurt, Suhrkamp, 1985.
- Hitchens, Christopher. No One Left to Lie To: The Triangulations of William Jefferson Clinton. New York, Verso, 1999.
- Horkheimer, Max. “Foreword”, in The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-50, by Martin Jay. Berkeley and Los Angeles, University of California Press, 1996.
- Howard, Dick and Karl E. Klare. The unknown dimension: European Marxism since Lenin. New York, Basic Books, 1972.
- Hughes, H. Stuart. Consciousness and Society: The Reorientation of European Social Thought. Cambridge, Harvard University Press, 1958.
- _____. The Sea Change: The Migration of Social Thought, 1930-1965. New York, Harper & Row, 1975.
- Inglorious Basterds. Directed by Quentin Tarantino. Universal Pictures, 2009.
- Jay, Martin. The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-50. Berkeley and Los Angeles, University of California Press, 1973.
- _____. Adorno. Cambridge, Harvard University Press, 1984.
- _____. Marxism and Totality: The Adventures of a Concept from Lukács to Habermas. Berkeley and Los Angeles, University of California Press, 1984.
- _____. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley and Los Angeles, University of California Press, 1993.
- _____. Songs of Experience: Modern American and European Variations on a Universal Theme. Berkeley and Los Angeles, University of California Press, 2004.
- _____. “Visual Parrhesia? Foucault and the Truth of the Gaze”. A Time for the Humanities: Futurity and the Limits of Autonomy, edited by James J. Bono et al. New York, Fordham University Press, 2008, pp. 45-58.
- _____. The Virtues of Mendacity: On Lying in Politics. Charlottesville, University of Virginia Press, 2010.
- _____. Reason After its Eclipse: On Late Critical Theory. Madison, University of Wisconsin Press, 2016.
- _____. “Can Photographs Lie? Reflections on a Perennial Anxiety,” Critical Studies, 2, September 2016, pp. 6-19.
- Marcuse, Herbert. Eros and Civilization. Boston, Beacon Press, 1955.
- _____. One-Dimensional Man. Boston, Beacon Press, 1964.
- Keesling, Jamie and Spencer A. Leonard. “Critical Theory, Marxism, social evolution: An interview with Martin Jay”. Platypus Review, 83, 2016, https://platypus1917.org/2016/01/30/critical-theory-marxism-social-evolution-an-interview-with-martin-jay/. Accessed 21 December 2018.
- Williams, Bernard. Truth and Truthfulness An Essay in Genealogy. Princeton, Princeton University Press, 2002.