De la remediación al desarrollo transmedial en la escena contemporánea

  1. Mario de la Torre Espinosa 1
  1. 1 Universidad de Granada
    info

    Universidad de Granada

    Granada, España

    ROR https://ror.org/04njjy449

Revista:
Teatro: revista de estudios culturales = a journal of cultural studies

ISSN: 2174-579X

Ano de publicación: 2022

Título do exemplar: Tecnología, intermedialidad y virtualidad en el teatro contemporáneo

Número: 34

Páxinas: 94-108

Tipo: Artigo

Outras publicacións en: Teatro: revista de estudios culturales = a journal of cultural studies

Resumo

According to Henry Jenkins' conceptualization of transmedia as a narrative logic, we explore how theatre has evolved from simple remediation to the development of projects that have been designed from the beginning following transmedia strategies, that is, a strategic transmedia according to the theories of Carlos Scolari. To demonstrate these ideas, we analyze some examples in recent years, with special attention to Spain since the declaration of the closure of theatrical activities due to COVID-19. We study a series of artistic practices that has been developed around remediation projects, such as Escenario 0 (HBO), or another transmedia example, such as Comedia sin título (Sara Molina Doblas) or El libro de Toji (Antonio Rojano). All of these shows go beyond the traditional scenocentric paradigm to settle in the virtual and participatory.