Color y expresión artística en los puentes de fábrica del siglo XIX en Andalucía oriental

  1. Antonio Burgos Núñez 1
  2. Juan Carlos Olmo García 1
  1. 1 Universidad de Granada
    info

    Universidad de Granada

    Granada, España

    ROR https://ror.org/04njjy449

Book:
Vestir la arquitectura: XXII Congreso Nacional de Historia del Arte
  1. René J. Payo Hernanz (coord.)
  2. Elena Martín Martínez de Simón (coord.)
  3. José Matesanz del Barrio (coord.)
  4. María José Zaparaín Yáñez (coord.)

Publisher: Universidad de Burgos

ISBN: 978-84-16283-64-4

Year of publication: 2019

Volume: 1

Pages: 596-601

Congress: Congreso Nacional de Historia del Arte (22. 2018. Burgos)

Type: Conference paper

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Abstract

Masonry bridges had a great importance in the 19th century. A large number of these ones were built within the new infrastructures emerged after the Industrial Revolution. Its design was mainly conditioned by technical aspects, but artistic expression were also very important for its creators. And in order to achieve a aesthetic good appearance the colour was one of the main resources. This paper focuses on the use of the colour in the bridges of Southeast of Spain.

Data source: Dialnet