Entre la posmodernidad y el homoerotismola imaginería pocesional del siglo XXI y el neobarroco gay

  1. Sánchez López, Juan Antonio
  2. Fernández Paradas, Antonio Rafael
  3. Ortiz Carmona, José Alberto
Journal:
Baética: Estudios de Historia Moderna y Contemporánea

ISSN: 0212-5099

Year of publication: 2013

Issue: 35

Pages: 33-56

Type: Article

DOI: 10.24310/BAETICA.2013.V0I35.56 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Baética: Estudios de Historia Moderna y Contemporánea

Abstract

Theory of the called “Gay Neobaroque” is an aesthetic language which promotes exaltation of homoerotic and diseased senses applied to sculptural representation of men, in the particular religious context of Spanish sacred imaginery made for celebrations of Holy Week since the end of XX century to the present days and also twisting social construction of “genus” by the man/sculpture because. The called “Gay Neobaroque” is situated on specific space and time with a specific relationships with visibility, value and acceptance of masculine homosexuality and conversion of men ́s body in “object” for consumers according rudiments of marketing and motif for publicity and audio-visual and artistic creation.