Entre las caballerías y la picarescala obra en prosa de Francis Kirkman (1632-c.1680)

  1. Rocío Gutiérrez Sumillera 1
  1. 1 Universidad de Granada
    info

    Universidad de Granada

    Granada, España

    ROR https://ror.org/04njjy449

Revista:
Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro

ISSN: 1988-1088

Año de publicación: 2023

Número: 17

Páginas: 585-610

Tipo: Artículo

DOI: 10.5565/REV/STUDIAAUREA.473 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Otras publicaciones en: Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro

Resumen

Este artículo explora la convergencia de los géneros de la novela de caballerías y la picaresca a través del análisis de la obra en prosa del escritor y librero londinense Francis Kirkman (1632-c.1680), traductor al inglés del libro sexto del ciclo de Amadís, continuador de Belianís de Grecia y de The English Rogue, autor de la biografía de la impostora Mary Carleton, The Counterfeit Lady Unveiled, y de la suya propia, The Unlucky Citizen. Tomando la obra en prosa de Kirkman a modo de estudio de caso, particularmente su narrativa autobiográfica, se estudia cómo los géneros de las novelas de caballerías y la picaresca terminan entremezclándose en la literatura inglesa del siglo XVII.

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