De ‘We Are Slavic’ a ‘My sister’s Crown’Género, etnicidad y media events

  1. Panea, José Luis 1
  2. Pérez-Rufí, José Patricio 2
  1. 1 Universidad de Castilla-La Mancha, España. Universidad de Salamanca, España
  2. 2 Universidad de Málaga
    info

    Universidad de Málaga

    Málaga, España

    ROR https://ror.org/036b2ww28

Revista:
VISUAL REVIEW: International Visual Culture Review / Revista Internacional de Cultura Visual

ISSN: 2695-9631

Año de publicación: 2024

Volumen: 16

Número: 1

Tipo: Artículo

DOI: 10.62161/REVVISUAL.V16.5176 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: VISUAL REVIEW: International Visual Culture Review / Revista Internacional de Cultura Visual

Objetivos de desarrollo sostenible

Resumen

This paper analyzes two performances of the Eurovision Song Contest which correspond to the Polish and Czech entries in the 2014 and 2023 editions of the show respectively. In its musical and staging proposal, both of them stir up a debate on Slavic feminine identity since two opposed perspectives. Moreover, these performances coincide with two critical historical moments in Slavic ambit due to the expansionist and identity policies of Kremlin. This research compares how the concepts of sorority and Pan-Slavism are represented from its own actors (in this case, the Slavic women) in the field of media events.

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