Methodologies, Knowledge Areas and Tourist Destinations Addressed in Scientific Research on Tourism Induced by Audiovisual Fiction (1988-2021)

  1. María C. Puche-Ruiz 1
  2. Esmeralda Crespo-Almendros 2
  3. Sebastián Sánchez-Castillo 3
  1. 1 Universidad de Sevilla
    info

    Universidad de Sevilla

    Sevilla, España

    ROR https://ror.org/03yxnpp24

  2. 2 Universidad de Granada
    info

    Universidad de Granada

    Granada, España

    ROR https://ror.org/04njjy449

  3. 3 Universitat de València
    info

    Universitat de València

    Valencia, España

    ROR https://ror.org/043nxc105

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Revista:
El profesional de la información

ISSN: 1386-6710,  1699-2407

Año de publicación: 2024

Volumen: 33

Número: 2

Tipo: Artículo

DOI: 10.3145/EPI.2024.0208 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: El profesional de la información

Resumen

This article analyses the methodological evolution experienced in academic research on the phenomenon of tourism induced first by the cinema and later by the audiovisual media in general during the period 1988-2021. Emphasis is placed on the methodological techniques employed and the tourist destinations considered from the perspective of marketing, communication and tourism studies. By means of a systematised analysis, 354 articles from the Scopus, WOS and Journal Citation Report databases were reviewed. The results suggest the existence of two main lines of analysis: conceptual theory (cultural geography and communication) and empirical analysis (analysis of specific products by marketing experts). Descriptive and quantitative analyses were found to be in the majority as opposed to causal and qualitative analyses. The predominance of researchers from the Anglo-Saxon and Asian spheres, who study the phenomenon of film-induced tourism within their borders, has been discovered.

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